As well as working on a grant application over the past week, I've been working on the ceramic concertina book for this installation. Above you can see the first stage of the process as I documented it. This is the clay portrait made by transferring an inkjet image to wet clay on day 1.
I've been testing different ways of converting a colour image to black and white in Photoshop. I recently bought a book by Scott Kelby, and I've been slowly working through it. It's written in a very direct way, specifically for photographers, to help them learn how to achieve the look they are after. It's called "The Photoshop CS2 book for digital photographers" and it gives four different ways to create a black and white image. None of them is particularly hard but I only knew one of them and they all create slightly different effects.
I'm still undecided whether to use black and white or sepia images in the book, but I hopefully it will be clearer when I get my porcelain tests back from feffakookan. (She is popping them in one of her firings this week). It's crazy but I so enjoyed making those little test slabs and I can't wait to get my hands back into the clay! In fact, I'm so desperate I've decided that if it's too hot in the garage (my ceramic studio) I'm just going to bring the clay inside into the air-conditioning....I never did like this carpet anyway!
A couple of sepia versions here.